{"id":8041,"date":"2018-01-21T23:20:51","date_gmt":"2018-01-21T23:20:51","guid":{"rendered":"https:\/\/www.mangoes-and-bullets.org\/bratwurst\/"},"modified":"2018-01-21T23:20:51","modified_gmt":"2018-01-21T23:20:51","slug":"bratwurst","status":"publish","type":"post","link":"https:\/\/www.mangoes-and-bullets.org\/en\/bratwurst\/","title":{"rendered":"Bratwurst"},"content":{"rendered":"

The track by<\/a> Berlin rapper Quio<\/a> (“Qu for quatsch, I for Eisbein, O for Otto-Motor”) tells of national belonging, cultural representations and essentialist notions of “German” culture – and of how crumbling it all is. In addition to Quio, African-American author Darius James<\/a>, Finnish-born artist Kaisa Kemikoski <\/a>and German musician Antye Greie <\/a>serve as producers for this multi-track, 03:40min twisting machine:<\/p>\n

I ve just come home to berlin<\/p>\n

my head spins like I m hurling off a Walther slingshot<\/p>\n

MY GOD WALTHER!<\/p>\n

My German soul seems unessential – its depressing<\/p>\n

(…)<\/p>\n

My cultural disconnection? A permanent infection<\/p>\n

My heritage? My image? I threw it in the sewage<\/p>\n

The track was released on Quio’s album
\n Phiu <\/em>
\n<\/a>from the year 2007. Music sociologist Johannes Ismaiel-Wendt writes about bratwurst<\/em> in his study tracks’n’treks <\/a>:<\/p>\n

“The breaks, broken beats, the collapsing bass sound, the speech difficulties and the sound snippets offered in ‘Bratwurst’ – all this expresses skepticism about stability and security. The instituted ‘German soul’ is presented, made available, and at the same time it is dissolved into stuttered-together, heterogeneous scraps. (…) Despite the destructive influences, the very meaningful, productive track emerges.”<\/p>\n","protected":false},"excerpt":{"rendered":"

The track by Berlin rapper Quio (“Qu for quatsch, I for Eisbein, O for Otto-Motor”) tells of national belonging, cultural representations and essentialist notions of “German” culture – and of how crumbling it all is.<\/p>\n","protected":false},"author":2,"featured_media":7692,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[459],"tags":[365,448,441,442],"class_list":{"0":"post-8041","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-identity","9":"tag-nationalism","10":"tag-pop-culture","11":"tag-popular-music"},"uagb_featured_image_src":{"full":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false],"thumbnail":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500-150x150.jpg",150,150,true],"medium":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500-300x300.jpg",300,300,true],"medium_large":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false],"large":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false],"1536x1536":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false],"2048x2048":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false],"bunyad-small":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",150,150,false],"bunyad-medium":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",450,450,false],"bunyad-full":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false],"bunyad-viewport":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false],"bunyad-768":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2018\/01\/artworks-000103295596-4h180e-t500x500.jpg",500,500,false]},"uagb_author_info":{"display_name":"glokal e.V.","author_link":"https:\/\/www.mangoes-and-bullets.org\/en\/author\/glokal\/"},"uagb_comment_info":0,"uagb_excerpt":"The track by Berlin rapper Quio (\"Qu for quatsch, I for Eisbein, O for Otto-Motor\") tells of national belonging, cultural representations and essentialist notions of \"German\" culture - and of how crumbling it all is.","_links":{"self":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/posts\/8041","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/comments?post=8041"}],"version-history":[{"count":0,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/posts\/8041\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/media\/7692"}],"wp:attachment":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/media?parent=8041"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/categories?post=8041"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/tags?post=8041"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}