{"id":8111,"date":"2017-09-12T07:25:37","date_gmt":"2017-09-12T07:25:37","guid":{"rendered":"https:\/\/www.mangoes-and-bullets.org\/traces-of-the-colonial-era\/"},"modified":"2017-09-12T07:25:37","modified_gmt":"2017-09-12T07:25:37","slug":"traces-of-the-colonial-era","status":"publish","type":"post","link":"https:\/\/www.mangoes-and-bullets.org\/en\/traces-of-the-colonial-era\/","title":{"rendered":"Traces of the colonial era"},"content":{"rendered":"<div class=\"lyte-wrapper\" style=\"width:1280px;max-width:100%;margin:5px auto;\"><div class=\"lyMe hidef\" id=\"WYL_6vzn8Q55iBE\"><div id=\"lyte_6vzn8Q55iBE\" data-src=\"https:\/\/www.mangoes-and-bullets.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2F6vzn8Q55iBE%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/6vzn8Q55iBE\" rel=\"nofollow\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.mangoes-and-bullets.org\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2F6vzn8Q55iBE%2F0.jpg\" alt=\"YouTube video thumbnail\" width=\"1280\" height=\"700\" \/><br \/>Watch this video on YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:1280px;margin:5px auto;\"><\/div><\/p>\n<p>Der Track des Berliner Rappers Matondo handelt vom (Kolonial-)Rassismus in seiner Heimatstad Berlin, der bis in die Gegenwart reicht, und von Gegenwehr.<\/p>\n<p>Konkret geht es um die geplante Umbenennung von Stra\u00dfennamen in der Stadt. Bisher sind zahlreiche Stra\u00dfen in Berlin nach deutschen \u201eKolonialherren\u201c benannt. Seit Jahren ringen vor allem Schwarze Menschen und Initiativen mit Politik, Verwaltung und Zivilgesellschaft um die Umbenennung. In &#8220;Spuren der Kolonialzeit&#8221; werden die Lebensrealit\u00e4ten und Anliegen Schwarzer Menschen auf den Punkt gebracht. Am Ende des Tracks steht ein Aufruf, die Stra\u00dfen endlich umzubenennen.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The track of the Berlin rapper Matondo is about (colonial) racism in his hometown Berlin, which reaches up to the present, and about resistance.<\/p>\n","protected":false},"author":2,"featured_media":7614,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[395,459,413],"tags":[473,394,438],"class_list":{"0":"post-8111","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-activism","8":"category-music","9":"category-videos-en","10":"tag-black-germans","11":"tag-decolonization","12":"tag-german-colonialism"},"uagb_featured_image_src":{"full":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",1280,720,false],"thumbnail":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit-150x150.jpg",150,150,true],"medium":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit-300x169.jpg",300,169,true],"medium_large":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",768,432,false],"large":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit-1024x576.jpg",919,517,true],"1536x1536":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",1280,720,false],"2048x2048":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",1280,720,false],"bunyad-small":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",150,84,false],"bunyad-medium":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",450,253,false],"bunyad-full":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",1200,675,false],"bunyad-viewport":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",1280,720,false],"bunyad-768":["https:\/\/www.mangoes-and-bullets.org\/wp-content\/uploads\/2017\/09\/spuren-der-kolonialzeit.jpg",768,432,false]},"uagb_author_info":{"display_name":"glokal e.V.","author_link":"https:\/\/www.mangoes-and-bullets.org\/en\/author\/glokal\/"},"uagb_comment_info":0,"uagb_excerpt":"The track of the Berlin rapper Matondo is about (colonial) racism in his hometown Berlin, which reaches up to the present, and about resistance.","_links":{"self":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/posts\/8111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/comments?post=8111"}],"version-history":[{"count":0,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/posts\/8111\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/media\/7614"}],"wp:attachment":[{"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/media?parent=8111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/categories?post=8111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mangoes-and-bullets.org\/en\/wp-json\/wp\/v2\/tags?post=8111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}