The radio feature from the series “Zündfunk Generator” deals with new and old strategies of (extreme) right-wing groups (“Alt-Right”) in the USA – in the context of popular culture, pop music and (political) provocation.
Browsing: Racism
This handbook brings together contributions to the decolonization of everyday thinking – prepared in detailed materials for political youth and adult education.
A multi-headed poetic monster that critically observes the developments and actions of the European Right and its international alliances, examining and attacking their narrative and intervention strategies.
The online dossier of the Gunda Werner Institute (GWI) looks from intersectional perspectives at state surveillance, (digital) privacy and reproduction in times of Big Data and social media.
Drew Hayden Taylor’s play satirically explores the racialization and violent appropriation of an indigenous community in Canada by two white Germans.
The publicist Eike Geisel, born in 1945, wrote about anti-Semitism, German politics of remembrance and forgetting, and worked as a historian, for example, on the Berlin Scheunenviertel and the Jewish Cultural Association.
Heinrich attended an event at the Volksbühne in November 1997, to which the English publicist Kodwo Eshun was also invited. Eshun was probably talking primarily about the African-American underwater worlds of the enigmatic duo Drexciya from Detroit.
Temporary performing radio station, performative studio and living archive. Pan-African-Space-Station (PASS) is an online radio station and audible exhibition space.
Thirty-five thousand. That’s how many people, as of fall 2018, have died in the Mediterranean trying to enter the European Union since 2000. 35,000 people – at least.
In this video, cabaret artist Idil Nuna Baydar talks about everyday racism and attacks the simple-minded defense mechanisms of parts of the German majority society in the form of her artificial character Jilet Ayşe.
“We collect writings, sound and images for today and tomorrow, against the denial, slander and Gadjé appropriation of Rromani history.” This sentence, quoted from the self-conception of RomaniPhen, sums up the political claim of the feminist, self-organized Rromani project.
The singer-songwriter and activist Fasia Jansen, born in Hamburg in 1929, fought all her life against racism, economic and social exploitation, against war and for emancipation and equal rights for women.