Author: glokal e.V.

glokal e.V. ist ein Berliner Verein für machtkritische Bildungsarbeit, der seit 2006 in der politischen Jugend- und Erwachsenenbildung tätig ist.

The PENG! Collective writes on the website of their “Haunted Landlord” campaign to resist rent increases, gentrification and eviction: “With this action we want to make this area-wide, structural problem visible and audible through personal stories and confront those responsible directly with the voices of the displaced and the consequences of their actions.(…)”

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The international online database for female, transgender and non-binary DJs, musicians, composers, producers, visual artists, journalists, researchers and facilitators in the field of electronic music and digital arts exists since 1998 and was founded by the Viennese Electric Indigo.

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This interview by Annie Goh with Alexander G. Weheliye is subtitled “Untuning the Historiography of Berlin Techno” and asks questions about the genesis of the history of the Berlin techno scene in the 1990s and its (claimed) heterogeneity.

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The independent cooperative, based in London, has been working in the fields of critical reporting, research and education since 1996. The focus is on the question of what serious effects the capitalist management of large companies has on people and the environment.

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This independent online portal focuses on the countries of the Middle East and North Africa. The explicit goal here is to produce reporting that reflects a broad spectrum of opinions and thus takes on perspectives that are rarely if ever represented by large Western media companies.

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In his study published in 2017, the music sociologist Johannes Ismaiel-Wendt examines techniques and technologies of judging – using the example of miking in the so-called NSU trial at the Munich Higher Regional Court.

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The publication of the DGB-Jugend (youth organization of the German Trade Union Confederation) from 2012 shows central argumentation patterns of anti-Muslim racism, names corresponding counter-arguments/strategies and gives references to further literature. In addition, some anti-racist youth projects and initiatives are presented.

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Art

The series of talks curated by Grada Kilomba invited refugee artists to the Maxim Gorki Theater in Berlin between 2015 and 2017. The focus of the 13 talks was the question of how systems of knowledge and representation can be artistically and politically transformed, de-colonized, rewritten.

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