Author: glokal e.V.

glokal e.V. ist ein Berliner Verein für machtkritische Bildungsarbeit, der seit 2006 in der politischen Jugend- und Erwachsenenbildung tätig ist.

“Let’s tear ourselves away from the roots that connect us to every kind of form of domination”- under this motto the self-administered magazine “from/to migrants”, “KÖXSÜZ”, appeared between 1995 and 2000.

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Founded in 1994 by artists and activists in Los Angeles/USA, the collective uses sound art, sound and listening as a strategy for political action. Topics of the internationally active network include migration, racism, urban development and HIV/AIDS.

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Togo, Cameroon, Tanzania, Namibia: The five-part documentary series (the intro linked here forms the first part) visits the areas on the African continent formerly colonized by Germany by force.

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The online portal exists since 2012 and documents violence and (human) rights violations against migrants in the Mediterranean Sea, the southern external border of the European Union.

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Queer education since 1980 – the educational initiative “Queerformat” is a supporting association of the educational institutions ABqueer and KomBi and works in the fields of diversity and anti-discrimination with a focus on sexual orientations and gender identities.

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The online dossier of the same name recalls the emancipatory, feminist, leftist movements and struggles of 1968 by confronting the dominant, popular historical narratives with , Afro-German, African, and queer perspectives and biographies.

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Dissens – Institut für Bildung und Forschung (Institute for Education and Research) is an educational, consulting and research institute, a recognized youth welfare organization in Berlin and active in consulting for organizations and individuals.

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“Teaching materials and didactics critical of racism for many subjects” is the subtitle of the reader, designed by editors Marcin Michalski and Ramses Michael Oueslati for different grade levels and types of schools.

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Japanese and US-American rhythm machines of the 50s and 60s, products of the so-called “China trade” or the colonial phantasm of a railroad line between Hamburg and Baghdad – these are only three examples of discourses, things and narratives that the “Museum of our Transcultural Present” gathers in an exhibition and tries to relate to each other.

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