Browsing: Texts

Thirty-five thousand. That’s how many people, as of fall 2018, have died in the Mediterranean trying to enter the European Union since 2000. 35,000 people – at least.

Gentrification, discipline, control and security. Cameras, surveillance, prevention and standardization. Keywords that we know from the media, but also from press releases, e-mail distribution lists, theory seminars and pub conversations.

Criticizing power and domination, describing conditions, trying to emancipate oneself from structures – terms play a central role in (political) everyday life. Big, multi-layered words like subject, performativity, or postcolonial theory come up frequently and readily.

Founded in 2002 by Ntone Edjabe, the Cape Town, South Africa-based platform of writing, art and politics has many formats.

European-flavored chips, gas station Nazis, bell hooks “all about love,” the German literary establishment: in this text, Olivia Wenzel, a playwright and performer from Berlin, writes about her writing between things like these.

Food and drink – more central than almost any other topic and yet often underrepresented in political discourse. The theme dossier deals with this fundamental approach in a variety of examples and formats.

Every day, we allow it to become invisible that our lifestyle is only possible because we “externalize” or offload the costs for it onto other people and societies. The exploitation of people and nature, or more precisely the overexploitation (mostly) of the Global North of the social and economic resources of the Global South, is the focus of this book.

“Let’s tear ourselves away from the roots that connect us to every kind of form of domination”- under this motto the self-administered magazine “from/to migrants”, “KÖXSÜZ”, appeared between 1995 and 2000.

The non-profit association exists since 1994 and works scientifically and activistically on European border regimes, their political backgrounds and existential effects on migrants and people on the run.

The online dossier of the same name recalls the emancipatory, feminist, leftist movements and struggles of 1968 by confronting the dominant, popular historical narratives with , Afro-German, African, and queer perspectives and biographies.