Author: glokal e.V.

glokal e.V. ist ein Berliner Verein für machtkritische Bildungsarbeit, der seit 2006 in der politischen Jugend- und Erwachsenenbildung tätig ist.

The lifestyle magazine from Vienna has been focusing on black life in Austria since 2014 and sees itself as a magazine by and for the second and third generation of the African diaspora. The focus is on lifestyle, art, fashion, studying and business.

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The clip of the youtube channel Newsbroke addresses, in the style of an explanatory video in a work context, everyday situations of non-white people and people of color.

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In this literary essay, Kenyan writer Binyavanga Wainaina, drawing on an interview with Senegalese musician and politician Youssou N’Dour, tells of colonialism and learning to swim, of politics and poetry, of music and essentialist understandings of culture and identity.

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This animated video illustrates a 2010 presentation by education and creativity researcher Ken Robinson on structural and conceptual ills in teaching, learning, and knowledge production.

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The documentary tells the story of the 2012 Marikana strike at the Lonmin mine, one of South Africa’s largest platinum mines.

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A sigh, two quenched eggs, the bubbling of boiling water: this is how Sharon Dodua Otoo’s text begins, for which she was awarded the Ingeborg Bachmann Prize at the 2016 “Days of German-Language Literature” in Klagenfurt.

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The online magazine calls itself a “Network for local and global Sounds and Media Culture.” and writes about itself: “Norient searches worldwide for new music, sounds and noise. It discusses current viewpoints of the music world critically, from different perspectives and always close to the musicians and their networks.(…)”

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Colonialism, space, post-racist future: Simone Dede Ayivi’s performance in Berlin’s Sopiehensälen tells at the same time about today, about the past and about another tomorrow, because: “It’s hard to stop rebels that time travels”.

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Afrofuturist, filmmaker, and activist Amadine Gay’s documentary assembles the experiences of Francophone European Black women in the diaspora into a multi-layered collage about Blackness, art, racial discrimination, and the reappropriation of one’s own narrative.

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