The exhibition “The Dead, as far as [ ] can remember” dealt with colonial violence and anti-colonial resistance – researched, elaborated and staged by activists, scientists, artists, museum staff.
Browsing: Archives & Material Collections
The digital archive aims to make visible the arts and cultures of the Sinti and Roma in Europe – and thereby illustrate their “contribution to European cultural history”.
A multi-headed poetic monster that critically observes the developments and actions of the European Right and its international alliances, examining and attacking their narrative and intervention strategies.
The online dossier of the Gunda Werner Institute (GWI) looks from intersectional perspectives at state surveillance, (digital) privacy and reproduction in times of Big Data and social media.
Here the name says it all – this flickr blog collects political posters (whose designers are politically “left-wing”).
A “sober, fact-based contribution to the public debate” is the claim of this interdisciplinary research project.
Heinrich attended an event at the Volksbühne in November 1997, to which the English publicist Kodwo Eshun was also invited. Eshun was probably talking primarily about the African-American underwater worlds of the enigmatic duo Drexciya from Detroit.
Temporary performing radio station, performative studio and living archive. Pan-African-Space-Station (PASS) is an online radio station and audible exhibition space.
“We collect writings, sound and images for today and tomorrow, against the denial, slander and Gadjé appropriation of Rromani history.” This sentence, quoted from the self-conception of RomaniPhen, sums up the political claim of the feminist, self-organized Rromani project.
Gentrification, discipline, control and security. Cameras, surveillance, prevention and standardization. Keywords that we know from the media, but also from press releases, e-mail distribution lists, theory seminars and pub conversations.
Criticizing power and domination, describing conditions, trying to emancipate oneself from structures – terms play a central role in (political) everyday life. Big, multi-layered words like subject, performativity, or postcolonial theory come up frequently and readily.
Founded in 2002 by Ntone Edjabe, the Cape Town, South Africa-based platform of writing, art and politics has many formats.